American Folk Arts
Free designs and stitching lessons for many different types of embroidery like Hardanger, cross stitch, counted thread, drawn thread
Tuesday, May 19, 2015
Requests
If there is a particular article you want from the past on American Folk Arts please request it in your post. I do not generally answer emails or posts made on this blog. But I would be happy to repost any articles or answer questions you have regarding sewing techniques, history of designs, or articles I gave posted in the past. Thank you for visiting, and I hope all your needles are filled with wonderful threads of many colors.
Saturday, January 11, 2014
Gimp and Wire and Lace Oh My!
April 8, 2014
Burano Lace
This little oval with flowers has a mesh background with the flowers and leaves outlined and then filled with variations on the buttonhole stitch. This particular type of lace is often called Burano.
February 4, 2014
When I was first researching lace I had the hardest time figuring out what to use for the gimp, horsehair and wire.
Then it dawned on me that the people who were making the lace used whatever they had available.
Duh!
Blush!
Finally, I figured out enough to really start making sense of lace!
So after I made a huge bobbin pillow I figured out how to makes things really work.
I use a needlepoint pillow, a square of poster boards, or one of my hoops to hold the fabric that I tack the pattern on.
I use a sewing thread in a contrasting color to couch down the outline of the design using either gimp, wire or horsehair.
Did that get your attention?
Gimp is this.
Chinese Knotting Cord at 8mm from Bead Smith. It is perfect for the edge of just about any design.
The wire I use is from Panacea Floral Cloth Covered Spool Wire, 32 gauge at Michaels. I generally don't have to wrap it, but if I do I use whatever thread I will be making the lace with.
The horsehair was particularly difficult because it comes from the horse's tail. I just was not well enough acquainted with any horses that cared to let me examine their tails. ;) If I had ever seen one that looked like he/she would have cooperated I can assure you I would have waded in.
But then it occurred to me that what the lacer did was simply use a fine, springy filament that would cause the lace to stand up around the wrist or face.
So I went and got me some Fireline from Bead Smith. It is called braided bead thread and it's about 0.010 inches in diameter.
Burano Lace
This little oval with flowers has a mesh background with the flowers and leaves outlined and then filled with variations on the buttonhole stitch. This particular type of lace is often called Burano.
I generally like to outline the major elements of any design before I place any of the background reseau. The outlining can be done any way the stitcher prefers. The techniques for this have been covered previously in this article.
I have included another example of lace that has been partially stitched. This lace is not Burano, but it sure looks like it! I will explain the differences later as we go along.
It is always a problem getting a design onto the fabric. Prickings were made and these were dusted with chalk. The chalk sifted through and the different designs were outlined with thread as has been discussed previously.
I have made a design for you to practice with plenty of open space for reseau. You can use a perle cotton or silk perle thread for these designs. Remember these threads constitute the ground of the lace, they should be substantial enough to hold up while being washed. You would not normally use a gimp thread.
This drawing is copyrighted and all Rights are Reserved. Please refer anyone who would like a copy to this site for a copy of it.
I will be back to discuss reseau and how this lace might be stitched, or what the designer intended. Lace could not be held together without the background mesh.
If you would like for me to make patterns of these other drawings please request it. At this time I cannot answer your comments or requests, but I will be happy to draw the patterns if requested.
For the record, I do a large amount of research in books that are out of date and are no longer covered by the copyright, so you are free to make copies of the photos, except where noted otherwise. I will be adding the bibliography back on the website at www.americanfolkarts.com as time permits.
February 4, 2014
This is the back side of the pricking for the design above. I used two sheets of 100 weight cardboard that were taped together before I pricked the design. Generally I tape the design on too. I use a good variety of tape like 3M blue label easy release, so it doesn't shred the cardboard when I remove the design.
When I was first researching lace I had the hardest time figuring out what to use for the gimp, horsehair and wire.
Then it dawned on me that the people who were making the lace used whatever they had available.
Duh!
Blush!
Finally, I figured out enough to really start making sense of lace!
So after I made a huge bobbin pillow I figured out how to makes things really work.
I use a needlepoint pillow, a square of poster boards, or one of my hoops to hold the fabric that I tack the pattern on.
I use a sewing thread in a contrasting color to couch down the outline of the design using either gimp, wire or horsehair.
Did that get your attention?
Gimp is this.
Chinese Knotting Cord at 8mm from Bead Smith. It is perfect for the edge of just about any design.
The wire I use is from Panacea Floral Cloth Covered Spool Wire, 32 gauge at Michaels. I generally don't have to wrap it, but if I do I use whatever thread I will be making the lace with.
The horsehair was particularly difficult because it comes from the horse's tail. I just was not well enough acquainted with any horses that cared to let me examine their tails. ;) If I had ever seen one that looked like he/she would have cooperated I can assure you I would have waded in.
But then it occurred to me that what the lacer did was simply use a fine, springy filament that would cause the lace to stand up around the wrist or face.
So I went and got me some Fireline from Bead Smith. It is called braided bead thread and it's about 0.010 inches in diameter.
I got the colors Crystal and Smoke. One is clear and the other gray.
Now all I needed was a pattern. Oh boy, are there patterns, the very first lace that was done with bobbins, but it was not nearly as popular as the kind that could be made with a threaded needle. This was before the 1600's.
I saw a piece of needle made lace from the Tamir region west of China that was used to make a hat with felt. It was about 5,000 years old. But then that is west of China.
There are literally hundred and hundred of patterns. There are books of patterns! They are so simple to do, it is almost insulting to try and explain them. Hence the explanation of supplies
Back in Europe they simply took the idea of braiding and started making lace the same way as they had done with the bobbins by weaving back and forth between the couched edges with a threaded needle. They tacked or couched the gimp and horsehair down around the outside edge of the lace.
Just gimp was temporarily tacked on the inside edge of the lace, that would be the side attached to the garment.
Then they took a threaded needle and simply wove back and forth between the edges. They added threads in the middle parallel to the couched edges if they needed to make wider lace for the design and just cut those away when the design narrowed again.
The only problem anyone had was figuring out a neat way to get around the pattern without having to cut the thread too many times. And really, that helped them stay awake, because it was about as interesting as a bowl of oatmeal, maybe a bowl of cold oatmeal.
And of course poking holes in the pattern was a just plain fun. So I tried these really large tacks. They are about 2 inches long. They are very easy to hold as you punch out your design on a piece of paper. I use cork board under my push pin, but a folded towel would work.
Well, that's it! I will be more than happy to share some patterns with you. I will have them posted later on my website at the Stitch Dictionary.
Look for them under Lace Patterns, Woven in a month or so. Thank you so much for stopping by. Linda
The Mystery Sampler will be posted a band a month here in what's new.
The chart for the second band is at
Click on the link to see the charts.
I used Creme Linen 32 count, 30 inches long by 8 inches wide
Be sure you leave three inches of cloth at the top of your project for finishing.
I also used two strands of blue floss like DMC 792, ecru perle #8 and #12.
There will be finishing instructions at the end of the posts for all the bands.
Tuesday, August 20, 2013
Crescents
The Crescent
Gosh it is good to be working again!
Here is the design I want you to experiment on. It has a lot of different design elements for all the lace fillings we will be discussing.
Sorry about the watermarks, unfortunately they are necessary.
I put this in the drawings tab at the top of this page it should be a better source to copy.
Please use this 's' shaped crescent for this exercise.
*Make a copy of it and place it on a piece of muslin and mount it all in a frame or small hoop.
*Then work around the 's' design with outline stitches. Remember stitch one, skip one.
*Tear or cut a strip of the interfacing off the width of the purchased interfacing. The strip needs to be about an inch and one half wide.
It is a really thin interfacing but of good quality. It is not woven. Instead it is felted with shorter fibers that run in one direction so it can be torn evenly.
I bought it a long time ago and have no idea what brand it is. Or for that matter what it's name is. But if you ask an older associate in a sewing fabric department or store, they will help you find it. Ask someone who sews clothing.
Twist it along the length. Then bundle and stitch several of these twists down onto the design using the four-sided stitches or a ladder stitch going back and forth through the outline stitches. You can stagger the twist in the bundle for narrow ends of the design. Cut away any excess length.
You will have to use your judgement for how high you want this crescent to be. Later I will discuss the flat Venetian Point, that will add to your understanding. It takes awhile for all this to start making sense, be patient.
Be prudent while stitching it down, it does not need to be laid down with permanence as the buttonhole stitches will secure everything. So few stitches are better.
If you look at the crescent below you can see the ridges and valleys that have formed with the threads only.
You can use the interfacing only or with the threads.
You need to try several ways to see what works best for you.
* To find the best laying technique.
*To develop a tension in the covering stitches like the buttonhole or satin that is attractive.
*Find out which fibers, interfacing or threads, are the best for you, what is cheapest, most available.
*Be sure to stitch over it, use both the buttonhole stitches and the satin stitches.
DO NOT STITCH THROUGH ANYTHING!
All of this lays on top of the pattern and muslin and nothing but the outline stitches going through the foundation. You could use dissolving paper even for that. And you can run most dissolving paper through the printer, of course, use caution.
My interfacing is completely washable, make sure yours and the threads are too. This lace was done in a neutral color that would go with clothing, any clothing. You can use colors later. Right now just stick with the tried and true. Like DMC perles and flosses. They are easy to find, inexpensive and very good.
Don't expect to go right into a project and be successful. Try a couple of the things I am offering now and later, then plan a project. I want to make a fan, been at this for years and still haven't fixed on a design I want.
I am getting my soap box out here, I have stitched a couple million inches if not miles. And every time I start stitching I have to warm up. The first fifteen minutes look like a train wreck!
Then lo and behold, everything gets warmed up and my stitching smooths out, my eyes are adjusted to the size of the stitching and everything looks pretty good.
You have got to stitch it, all the really great musicians, dancer, artist, authors PRACTICE.
REST!
Join me, you will love this, it is so much simpler than you would ever have imagined. It supported whole villages, whole regions. There were no printed instructions. Everybody stitched, so how hard could it be?
Okay?
I am putting up my soap box for now.
I found this picture in the Dictionary of Needlework, second edition, page 95.
I got the second edition volumes for a birthday present several years ago. What a boon! There are the most amazing pictures in them. I am sure in 1882 London this book was the rage.
To continue I was discussing the decorative top stitches previously. That they should be smooth and without defects like bulges or indentions. What follows is my method.
Punch holes around the design to couch the outline of the design. Then you will need to add the strips of interfacing. I cut out a piece of cardboard and placed the design on it, and then punched out the holes for the outline stitches with a blunt needle that has a very large bead glued on at the eye. (There are also paper punches used in 'paper quilling.' Also cork pads to hold the design while you punch, a folded towel will work too.)
In the punched holes for the design go in and out of them around the design like redwork, sew a stitch, skip a stitch around the design. These outline stitches will eventually be cut away, and all the rest of the stitches that follow will be worked on top of the design only.
Tack the interfacing inside the crescent with the same thread you will stitch the design with so that it will not show up if any strays are missed when you cut and remove the stitches on the back of the foundation later. Use the stitches just made for the outline, be frugal!
Now make four sided stitches over the design again using the stitches just made for the outline.
These stitches need to be the same thread you will use to make the stitches of the lace crescent.
The cross over stitch of the four sided stitch must be made perpendicular to the design outline, and the stitches that follow the outline must be fairly parallel to the outline. There will be smaller stitches on the inside curve than the outside curve.
Do the four sided stitches loosely, because later you will need to weave the extra threads needed in and out of the cross over stitches. You want the interfacing and these threads packed in to the four sided stitches as shown in the photo.
Then whatever decorative stitch you decide to use, satin or buttonhole, make sure they fan out or in so that its crossing stitch is perpendicular to the design outline as done with the buttonhole stitches in the picture above.
I like to draw the outline in ink and pencil in the fans on to the design, erasing and redoing them as needed until I am satisfied with their arrangement. Then use the drawing as a guide for the stitching.
I like to do the buttonhole stitch with the perles inside the design too if I have a really openwork filler. I also top both sides of the outline with the buttonhole stitch if the little extras call for it. Or I use satin stitches if those will work in the design.
©2013, Linda Fontenot, All Rights Reserved, please refer anyone here for this article.
Sunday, May 12, 2013
Lace Stitches
I got busy and brought the rest of the lace pictures over. You will need to scroll down to see the new things.
Lace is a fascinating topic that seems almost infinite. The names of the lace can make my head spin there are so many! Or so it seems. But first, let me show you the laces I like.
Alencon Point |
Wednesday, February 16, 2011
Welcome!
Welcome back to American Folk Arts' blog. Technology keeps moving forward and I have to keep updating my website. This Google Blog will contain all the projects from us and the site will be the reference for all the topics mentioned here. You will be able to access anything you want from us at either portal.
I've been busy preparing a new module for you about the laces I want to share with you. Lace is a forgotten and very much misunderstood art form. And I realize your time is limited so the projects will be smaller ones that you can do quickly. And I will offer a variety of ways to display your treasures! These little jewels are a wonder, I would like to have a box full of them so that I could arrange and rearrange them ceaselessly.
Something New
I have a new feature to the left of this column at the bottom of that column, it is a listing called 'Stitch Dictionary.' There you will see an item called 'Wrapped Bars', if you click on it, you will be taken to the explanation. Sometimes, you will have to scroll down the page to find the exact item I have mentioned under the heading like the one called "Diagonal Wrapping of Bars" in the topic 'Wrapped Bars.' I know they have 'targets' for these topics but I have been around a long time and I remember having to rework my website because they did away with the 'targets.' %^(
Top of the Page
You might have noticed there are topics running across this article. You can explore those pages for projects and drawings.
I have spent a lot of time arranging these pages in the past and have decided to change the style of my pages because I would really rather sew than spend hours with the layout of pages of instructions. To that end the photos that accompany the instructions will be at the end of the article, they will be large and can be printed. They are copyrighted by me, but you have permission to make a single copy for your personal use. These designs are not for resale or distribution without written permission from me. If someone wants a copy of any of these articles please direct them here to make their own copies. These are all copyrighted items.
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